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Title Palindromes
Originaltitle: Palindromes
Regie: Todd Solondz
Darsteller: Ellen Barkin, Angela Pietropinto, Bill Buell, Danton Stone, David Castro, Debra Monk, Hillary B Smith, Jennifer Jason Leigh
Erscheinungsjahr: 2004
Land: USA
Stichwort: Epilepsie
Release: 00.00.0000

Handlung
Die 13jährige Aviva (ein Palindrome, das vor wie zurück gleich lautet, wie das Wort Mom - Mamma) Victor möchte Mutter werden, weil sie sich nach einer idealen Mutter sehnt. Ihre weissen Eltern durchkreuzen ihre Pläne und zwingen sie zu einer medizinisch misslungenen Abtreibung. Aviva flüchtet von zuhause. Ihre Reise führt sie von New Jersey nach Ohio und Kansas. Zuflucht findet sie bei Mama Sunshine, an deren Abendbrottisch sich alle Arten beschädigte - blinde, taube, vom Down-Syndrom betroffene, epilepsiekranke, einarmige - Menschheit einfindet. Man verhält sich dem Vorurteil entsprechend und gibt Entsprechendes zum Besten.


Weitere Info
aus: http://www.pitt.edu/~kloman/palindromes.html
"Next, Aviva is a pregnant redhead who wants to keep her baby, until her mother forces her into an abortion with a sob story about her own good decision to have one - Truth Alert: Parents manipulate their children to get what they want from them. So Aviva runs away (she's brunette again), comes upon a bucolic Christian salvage mission (now she's black and obese) run by Mama Sunshine, a made-for-700-Club woman who has a "family" of special needs kids: a hearing-impaired dwarf of color, a blind albino, an epileptic, an armless girl - your Truth Meter should be going off the charts right about now."

aus: http://www.thefilmjournal.com/issue11/palindromes.html
"Todd Solondz made his film a palindrome—at every level—because as he puts it: “we are paradoxically always changing—we grow and we change—and at the same time, it is also true that we are not changing. Certain things yes you can improve, however there are certain things that we cannot, and we are better off if we can accept the limitations of who we in fact are.” This lack of change, failure of difference, is not just unilateral, restricted to our own individual evolution. Aviva, the adolescent girl (her name, need I say, is a palindrome?) is played by eight different characters, each sharing with the other the basic essence of adolescent vulnerability, although in every other way different: fat, thin, black, white, male, female red-haired, dark-haired, little, huge. The point of this Bunuelian trick is that this character is, in essence, universal, and that just as all eight characters are vaguely the same, so are we: inherently unloved yet hopeful, a universal flaw that we should accept."


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